Musician Markéta Irglová has had a busy 2025, releasing a new album and touring with Glen Hansard under the name The Swell Season, a joint project that had been dormant for some years. The Czech-Irish pairing famously won an Oscar in 2007 for their song Falling Slowly. First recorded in a studio near Prague, it reached international audiences in Once, as well as a successful musical based on the hit low-budget film. After a full-band tour with The Swell Season earlier in the year, Irglová and Hansard returned to Czechia for a short series of intimate shows in late November. And it was then that I caught up with the former, who lives in Iceland, for a wide-ranging interview.

Colin Stuart has been a fixture on the Prague music scene since the early 1990s, when he produced the Ecstasy of St. Theresa and several other local bands. He also worked with musicians from those groups on Colorfactory, a project that reached large audiences when the music was used in the era-defining film Šeptej (Whisper). I spoke to Stuart at his studio just around the corner from Prague’s Dancing Building.

US-born Katherine Kastner is co-owner of Hunt Kastner, an independent Prague gallery that has helped develop the international careers of many Czech artists. Kastner herself has deep Czech roots: Her grandmother was related to Karel and Josef Čapek and in the 1980s she regularly visited Prague, where she was introduced to the local art scene through relatives, and notable artists, Pavel Brázda and Věra Nováková. I spoke to Katherine Kastner, who is known to all as Kacha, at our Prague studios.

A relatively little known but highly distinctive Brno district is the subject of Kamenka Republic, a new book edited by writer and publisher Martin Reiner. Speaking from the Moravian capital, he explains what makes Kamenka special – and why it has survived for a century when other interwar workers’ housing “colonies” in Brno have long disappeared. Reiner also discusses why he is calling time on Druhé město, one of the most significant Czech publishing houses of recent decades.

Max Diesing runs Maximum Underground, an alternative music shop located in Prague’s Old Town for many years. In fact the American says he is just about to mark his business’s “33 and a third” birthday as a fixture on the city’s alternative music scene. But what was it like setting up an independent store here just a couple of years after the Velvet Revolution? And what motivates him to keep running the business after all this time? We spoke at the store on Jílská St.

Lukáš Dolanský is a well-known journalist who until this year served as Czech Television’s correspondent in the United Kingdom. Dolanský underwent something of a baptism of fire in the posting, arriving just days before the news broke of the death of Queen Elizabeth II. That’s among many stories Dolanský recounts, and insights he shares, in a new book, The Colours of My London.

Tomáš Koblížek is an expert on disinformation, a phenomenon that has grabbed many headlines in recent years. In a wide-ranging conversation, the philosopher says disinfo isn’t focused only on deceiving people but is also about “boring” them into losing interest in certain issues entirely. But, he argues, it is possible to combat it. I spoke to Koblížek in connection with the recent publication of the book Disinformation and Hate Speech from the Perspectives of Philosophy, Law and Security, which he co-authored.

One of Czechia’s most distinctive jewellery designers, Zdeněk Vacek currently has a sensational retrospective of his quarter-century career at Prague’s Museum of Decorative Arts. Vacek, a goldsmith by trade, was previously known for his work under the name Zorya with then life partner Daniel Pošta but now operates solo, mainly producing tailor-made pieces for often affluent clients. I spoke to him at the exhibition.

Zuzana Stivínová is a well-known Czech actress. She played one of the main roles in the stage version of Václav Havel’s Leaving in 2007 and today is most commonly to be found on the boards of the National Theatre in Prague. She has also worked with such screen directors as Věra Chytilová and Miloš Forman, and starred in the acclaimed TV drama Wasteland. Stivínová, who comes from an artistic background, also spent several years living in New York in the 2010s.

A new translation of one of the most important books in Czech literature, The Grandmother (Babička) by Božena Němcová, will be launched by the UK-based Jantar Publishing at the end of this month. It’s the work of Englishwoman Susan Reynolds, who previously produced an acclaimed translation of another Czech classic, Karel Jaromír Erben’s Kytice. I spoke to Reynolds about how she approached rendering The Grandmother (originally published in 1855) in English, its author’s pioneering spirit and more.